WHAT YOU HEAR ISN’T WHAT YOU SEE: THE REPRESENTATION AND COGNITION OF FAST MOVEMENTS IN HINDUSTANI MUSIC Wim van der Meer, Dept. of Musicology, University of Amsterdam, The Netherlands, wvdm[at]me.com Suvarnalata Rao, National Centre for the Performing Arts, Mumbai 400021, suvarnarao[at]hotmail.com Abstract Keywords: visual representation, melography, ornamentation, pitch perception. In Hindustani music the space ‘between the notes’ is often more important than the discrete notes themselves. With the help of melography, and more in particular the use of advanced models of pitch perception in computer software, we can actually ‘see’ the precise forms of meend [...]
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